For those of you who don’t follow the blog, I decided to go entirely monochrome for the month of April. Week one was a bit of a struggle, but this week I was determined to make better progress. I went out and bought a polarizing filter for bright sunny days and planned a family trip to a hiking ground that has a few caves on its maps. Chris urged me to try to d choose only ONE camera, so I chose my Nikon D5300, but wound up bringing four lenses: the deconstructed 50mm, the 40mm, the 35mm, and my 55-200mm.
Going monochrome always changes my perspective with photography, even if it’s only for a day. I begin to *see* the world in lights, shadows, tones, shapes, and patterns, and it really improves my skills.
This year, I’ve decided to challenge myself to go monochrome for an entire month. And I’ve chosen the month of April because it’s no doubt one of the hardest months (for me, at least) to go monochrome. Everything is blooming and the sky is finally blue and the grass is finally green.
But I am eager to witness these spring changes without the distraction of color. In black and white, nature tells an entirely different story…
A recent article written by Steven Dempsey showed up on my Twitter feed Saturday. I was drawn to the eerie quality of his work as I read about his passion for pinhole photography, which he achieves with a DIY lens he made with a body cap.
Not one to pass up an opportunity to destroy a camera accessory for the sake of art, I immediately sent my engineer husband the wikihow directions. He’d already taken apart my 50mm and removed the rings so I can use it better during freelensing, and he needed a new project.